Well, here we are at the end of February, and I'm doing fairly well with my challenge of reading twenty classics I've never read before from the list. (If you're interested, the list can be found here.)
It was interesting to compare the first book, based on stories Milne told to his son, and the second which was written as a sequel when Christopher Robin had apparently outgrown the stories and was off at school. The introduction and conclusion of House at Pooh Corner had an almost bittersweet quality. I noticed a similar contrast between Lewis Carroll's Alice's Adventures in Wonderland (which I read last year) and Through the Looking Glass, which I finished last week. Alice is rather obnoxious in the first, and more mature and likable in the second. There's much more structure in Looking Glass--it's based on a chess game (as wacky as Wonderland seems, Carroll was a mathematician, and there is a sort of logic to the fantasy world), and it's clear when Alice moves from one square to the next as a pawn. Similarly, Milne's second novel shows more structure, written for a public audience as opposed to a record of oral stories written down for one child. Movie adaptations of both seem to have blended the two books together. The talking flowers and Tweedle Dee and Tweedle Dum, who appear in the Disney film, are from the second book, for instance. As a companion, I read a short biography on Carroll, Lewis Carroll in Wonderland by Stephanie Stoffel, which gave a good overview of his life and a lot of photos. The thing most people know about Carroll is that he liked to photograph children--was in fact one of the most renowned children's photographers of his day--and seemed to have a fondness for spending time with children that was questionable for a single man. It seems his friendship with Alice Liddell, on whom Alice is based, ended abruptly before the book was published. He kept a daily journal, but a niece tore the pages referring to whatever happened between him and the Liddell girls out. One theory is that Alice got to be close to marriagable age and it was no longer appropriate for her to spend time with an unmarried man. There is also a theory that he may have been in love with her and interested in marraige (which wouldn't have been unheard of at the time, despite the age difference), though he was not a suitable suitor due to the class difference (Mrs. Liddell was socially ambitious).
The third classic on the list I read was the novella Breakfast at Tiffany's by Truman Capote. The book is much more liberal than the Audrey Hepburn movie, and more poignant with a very different ending. It reminded me a bit of a modern-day Camille by Dumas fils. (the basis for my favorite opera, La Traviata) in both plot and overall structure. The most notable difference to me when compared to the movie were the frequent, casual references to lesbianism--I can't imagine that being in an Audrey Hepburn movie. the edition I read also contained a few other short stories by Capote which are worth reading because they show his strength for character-driven short stories.
I supposed my conclusion so far on the Classics Challenge is that while reading a work by a classic author is good, reading two or three gives you a better understanding. I know that isn't a very profound observation, as it seems rather obvious. I guess another way to put it is that being widely read doesn't necessarily mean a wide variety of different authors, but rather a deeper understanding of each author. however, I think you do need to read broadly to find the authors you want to read more of, and be open to all types of books. You never know what you might end up liking.
I started the next book on the list, Agatha Christie's Murder on the Orient Express, last night. Though only two chapters in, I think she's another author I'll want to read several books by. Seems the goal of 20 books on that list (which lists one book by each of 150 classic authors) is going to be a bigger challenge than I thought, but a worthwhile one.
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